by Terence A. Anthony
If the recent Batman v Superman movie demonstrated anything is the massive divide between fans and critics. Critics tore a new hole for Zach Snyder and thought the movie was trash. Fans on the other hand argued that the movie was not meant for Marvel biased critics because it was too dark (and thinky, whatever that means) for them.
If the recent Batman v Superman movie demonstrated anything is the massive divide between fans and critics. Critics tore a new hole for Zach Snyder and thought the movie was trash. Fans on the other hand argued that the movie was not meant for Marvel biased critics because it was too dark (and thinky, whatever that means) for them.
The same was for Warcraft. The
movie did horribly when it came to critics but Chinese audiences (who also make
up a huge demographic for WOW) were ecstatic. Despite the abysmal reviews, and
what people argued were disjointed plotlines directly lifted out of a 2
dimensional storyline from an old video game, fans thought the movie was true
to the lore.
The main gripe for critics for
both of these movies was that the story was too disjointed. You needed to have
prior knowledge to glue things together. To them, there was no point in making
Easter eggs so prominent (even in the trailer for goodness sake) if the regular
fans don’t get it. Even if they get it, should they be given so much screen time
when it does not affect the current storyline? In short, to most critics, it
felt like half a story but full of featurettes that does not progress the
story.
This then begs the question, how
should a piece of entertainment be judged? Should it be judged according to the
amount of fan service and how much they respect the lore (well, for Snyder’s
case Bat-Punisher isn’t) or should it be based on a coherent story as it is
now? For all we know, the stories could play better when things are answered in
a sequel, or when a bigger picture is served?
Then again, the question becomes,
wouldn’t this just be an excuse for writers who don’t want to wrap things up
now? We’re rewarding lazy writing aren’t we? We saw how Terminator: Genisys
teased that answers will be given in the sequel when there is no guarantee that
a sequel will exist? The painful part is that some plot lines were answered in
interviews instead. A part of me sort of suspected that those answers were made
up on the spot just to satiate people’s curiosity.
However, in this debate, I have
to side with critics, despite me respecting writers giving out fan service.
Movies are meant to be an independent medium. It should not rely on anything
else because it defeats the purpose of an adaptation or interpretation. While
it is for satiating a fan’s desire to see things on the silver screen (super
bulked up Batfleck), it should also be a jumping point for people to get into a
universe. This meant not being presented with scatter shots and forced to
connect the dots with things I read in a comic book years ago.
A film critic’s job isn’t to
discuss the lore or to be a cultural theorist, but is to judge the medium as it
is. That’s why critics write lengthy essays to justify their opinions. It is to
show all these flaws within the medium and explain to people what worked and
did not. Trust me, if you were to look at most reviews, staying true to the
image of a lore isn’t what most of them complained about. Instead, many were
impressed with Batfleck’s menacing Bat-Suit. The dark atmosphere was celebrated
as true to the TDKR comics. What they weren’t happy however when Snyder acted
as a magpie, cherry picking the good parts of Batman comics and haphazardly
gluing them without creating a clear narrative.
So this is where fans shouldn’t
take film reviews personally. Diehard fans are defending the culture, the idea
and the lore behind it. They are invested in the details because it is part of
their lives. So these movies are part of the bigger lore they have invested in.
It is dissected with all the prior investment they have made. That baggage does
not exist in everyone’s lives. Not everyone has the same connection to it. It’s
like taking people to the beach where you brought your first date while
expecting others to be nostalgic about it, without them understanding the
context.
Film critics want to know what’s
in the moment. They want to talk what they saw on the silver screen. They’re judging it as how it is now, not
through your nostalgia glasses. If movies are improved through your rose tinted
glasses, then it’s fine. It is your personal experience that no one can take
away from. I could not possibly comment on that.
All of this reminded me of the
movie “It’s a Wonderful Life.” When it was first release, the movie wasn’t
celebrated as it is today. However when broadcasters started playing them every
Christmas, people associate it with family, holidays and nostalgia. Everyone
started seeing the movie through the lenses of comfort and the warmth of their
fire place. It’s became a classic throughout the years and the movie is judged
within that context. We have started to judge the movie with a form of cultural
baggage. That’s what the fans of BvS and Warcraft are doing.
The critics weren’t wrong when
the movie didn’t become their darlings at first. We just now had a different
context to what we saw. Maybe BvS will gain a different context. We do not
know. But if there are two drastic rating scores in the future, it does not one
is right or one is wrong. We probably picked up the cultural baggage along the
way.
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